Apr 18, 2024 Setlist - Phish.net (2024)

Apr 18, 2024 Setlist - Phish.net (1)Long-winded in-person review coming... now!

Awed and Grinning in Sin City

This will primarily be about the experience, and a few rando tips rather than the music itself. Dot net does a better job at that than I would anyway!

At 6.15pm, my two show-pals and I stroll through the casino floor of the Palazzo and arrive at the “holding room,” a mid-size convention/meeting space attached to the long sky bridge walkway to the Sphere. We were amidst a happy, excited and maybe even nervous crowd lined up and anxiously awaiting the doors to open, rumored to do so at approximately 6.30.

A full hour later, we’re still in a dense and getting-a-bit-warm line on the skybridge, but we can see the ticket/security checkpoint ahead. I’m not sure what other entrances are available to get in, but this one? It sucked hot ass. First tip - put your tickets in your mobile wallet and tap. Every person who tried to scan the digital barcode option on ticketmaster stood there, frustratingly trying to properly line up their phone. And not like rando olds who don’t know how to do it - this line is full of concert vets.

Once finally inside, we find ourselves in the cool blue interior of the Sphere. Meditative ambient music plays, and the deep blue is punctuated with red donut-like circular design elements that were hard not to smile at. We had a good 30-40m before the band hit the stage, but eagerly went to check out our surprisingly comfy 100-level seats.

Walking in alone is almost overwhelming. An epically massive, seamless screen slowly changes hue, dancing around the color wheel. A small, tight, unlit stage sits in the center, flanked by six black pillars of standard stage lights. And it was almost all the way to quiet! People were talking, but their conversation doesn’t carry the way it does in most arenas.

Our seats are a few rows under the overhang, bringing us to tip 2 - if you can be choosy about your seat, it looked to me like the 200s and up, or at least not under the overhang, are the place to be. GA is right in front of the stage (duh) but there’s no way you can take that joint in from there. The lower level 100s certainly had a baller view, but your head will be on a swivel. We walked around a bit in awe, like most people were doing, until settling in our seats. I couldn’t help but take pics even of the solid color wall and empty stage, it was just that impressive.

The screen turns to a dull blue, and several roars went up from the crowd, bringing us to our feet. The third roar was the real one. No dramatic light drop, just our four un-caped heroes walking out on stage from the back steps. The energy and anticipation was as thick as the fog Scooby and Shaggy used to cut donuts out of. Gigantic columns of animated pillars rise up from all sides of the screen we’re off with, of course, “Everything’s Right.” It sure as sh*t was. Tip 2.5 - if you’re even a few rows under the overhang on level 100, you’re not seeing between 1/3rd and half of the screen and ceiling of the sphere. It’s still fuuuuuucking impressive.

The columns morphed, moved, receded and grew, slowly turning, and seeming like they were reflecting the actual lights on the stage. Soon enough you’re looking at visuals rather than the band. They move and morph slow, as did all visual graphics throughout the night. I would guess this is purposeful. Moving any faster and you’re probably gonna get sea sick. Tip 3 - if you focus on the band while the massive peripherals are moving, it actually does give you a sense that you’re moving too. Kinda weird, but there’s no horizon to focus on so it makes sense. When I felt it, I’d look back at the visuals and the room stopped feeling like it was moving with or without me.

The visuals are tranquil and a little trippy overall. It was a mix of animation and some layered photography. The landscape photos didn’t work as well for me, but idk what kind of crazy-ass resolution you’d have to have on an image to make it work up there. The entire first set felt pretty chill, like the band was vibing off the imagery the same way we were.

We get a mid-set Maze, and I find my first real complaint with the venue. There are speakers everywhere. Apparently also haptic chairs, but my ass didn’t sit in it to find out if it was also on the vibe. The audio is called “immersive sound,” which probably has to do with the unique shape of the venue, but I started to notice that some instruments were panned to different speakers, and it changed throughout the night. Sometimes it was drum/bass heavy, other times overwhelmingly Page with little mix of anyone else. During the Maze solo, where Page and Trey exchange licks, Trey’s audio completely disappears. I can see him shredding, but not hear a note. Only Page and Fish. The audio quality has crazy clairty and crispiness, but this mix… thing/issue… happens several times throughout the night. The worst offender was Antelope. I’d go so far as to say this mix thing nearly ruined the best part of the jam. And as we walked out, I heard others who sat in different sections say the same thing.

Weird mix aside, that place feels like it was built for Phish. The visuals danced in time with the jams, augmenting in ways we’ve never seen before. I’m a vet of 150 shows, and left slack-jawed at the experience. The sheer joy of seeing the barn on the screen during Farmhouse, where it felt like Phish was playing in it’s front yard. The undulating orbs during Sand, the live visuals of band members falling to pieces and cascading around the screen, the trippy morphing shapes, color bars, kaleidoscopic images, and even the (IMO a lil lame) shape-changing cars during Tweezer were just flat out awesome. I really try not to whip out my phone during shows, but I was constantly trying to capture it to send to friends who didn’t get as lucky with tickets. It was like every song brought a “what are they gonna do now” feeling which we're used to with the music, but now also with the marriage to the screen.

No one knew what this was going to be last night, and now we all have at least an idea. I think the next run here, and maybe even by Sunday on this run, they’re going to have way more things ironed out, and I can’t even guess at how many ideas will spring up for animations and screen experiences for future shows.

All things considered, even with my somewhat limited view, I’d call this an A to A+ experience. If this is your band, this venue experience should go on the bucket list in my opinion.

Visuals: A
Sound quality: A to A+ Crisp, clear and the right volume most of the time.
Feeling when you’re in there: A+ It’s like a comfy high-tech wrap-around Hampton on designer drugs
Excitement for each song: A+ musically and visually
Comfort / space around us: B+, seats aren’t too close. They’re actually made for American-sized asses, and we had enough space to still dance a lil.
Audio Mix: Can’t go higher than a C, which is a damn shame given the clarity and quality. Maze, Mike’s and Lope all had significant panning audio issues often at the worst/peakiest moments.
Ticketing/Security/Entry: F- They can and have to do better, it was dogsh*t. Hand-scanners alone would have helped. Even the car line at Magnaball was less painful.
Exit: B+, seemed like more ways out than in, and despite being in the herd, it was way better than leaving a venue like MSG.
Gambling and cavorting in Vegas with exited phans after: Come on. Easy A.

Good luck to all trying to find a ticket, and a hearty high-five to everyone who is going.

Apr 18, 2024 Setlist - Phish.net (2024)

FAQs

What is the most played Phish song? ›

Another Phish classic from the group's 1989 debut, “You Enjoy Myself” has been played the most of any track by the band, having been played 33% of the time during their first 1,800 shows.

Has Phish ever played the same setlist? ›

Known for its improvisational style, rarely playing a song the same way twice, the band also never played the same set list twice in three decades and more than 1,700 shows.

How many Phish songs are there? ›

By nearly any criteria except, perhaps, record sales and radio play, Phish is the Grand Canyon of American bands—so big and bold and forever that we risk taking it for granted.

What were the Phish sphere themes? ›

The theme of these shows was “States of Matter” with each night having its own theme: Solid, Liquid, Gas, and Plasma.

What are Phish fans called? ›

Phish are well known to their loyal fans, called Phishheads, but the group's music and fan culture are otherwise polarizing to general audiences.

What is the longest song Phish ever played? ›

Runaway Jim. 11/29/97 at the Centrum. Clocked in at 58 minutes or so.

What is the rarest Phish songs? ›

5 rarest songs you've seen
  • Army of One 0.57% (6-25-10)
  • Free Man in Paris 0.06% (6-25-10)
  • Walfredo 0.38% (6-27-10)
  • Been Caught Stealing 0.38% (6-18-11)
  • Sabotage 0.32% (7-7-12)
May 30, 2012

Who are the famous Phish fans? ›

You never know who's going to turn up at a Phish show—the eclectic rock band's eclectic Rolodex of famous fans and friends includes everyone from Jay-Z to Kenny Rogers to Bruce Springsteen to Danny Devito to Tom Hanks.

What was the largest Phish concert? ›

In December 1999, Phish drew 85,000 people to the Big Cypress Indian Reservation in Florida's Everglades, making their music festival the largest Millennium Eve celebration on earth.

Why is Phish so famous? ›

The improvisation is part of what sets Phish live shows apart. The combination of the band's musical wizardry and on-stage chemistry manifests in the form of long, drawn out jams in the middle of concerts.

Does Phish repeat songs on tour? ›

Over the decades the band has performed more than 2,000 shows and are famous for never repeating setlists — drawing deeply from their extensive canon of more than 300 original songs plus countless covers. That hasn't changed.

Why is the band Phish called Phish? ›

The band was formed in 1983 in Vermont, while the members of the band were attending college. They created the name Phish as a play on drummer Fishman's last name.

How many songs did Phish play at the Sphere? ›

How Phish Mastered Sphere With Its Weird, Wonderful Four-Show Residency. Armed with 68 songs and a bevy of bespoke visuals, the revered Vermont jam band continued its career-long live inventiveness – and set a high bar for future performers at the Las Vegas venue.

How long was the phish sphere show? ›

According to Setlist.fm, the legendary jam band played an 18-song set that lasted a whopping four hours and 15 minutes. Their residency runs four consecutive nights (April 18-21) and each night will include its own unique setlist and corresponding visuals.

What is the longest down with disease? ›

We were blessed with the longest Down With Disease of all time on Sunday, clocking in at 34:08! Beating out the previous longest version from 1995.

What are the rarest Phish songs? ›

5 rarest songs you've seen
  • Army of One 0.57% (6-25-10)
  • Free Man in Paris 0.06% (6-25-10)
  • Walfredo 0.38% (6-27-10)
  • Been Caught Stealing 0.38% (6-18-11)
  • Sabotage 0.32% (7-7-12)
May 30, 2012

What makes Phish so popular? ›

The improvisation is part of what sets Phish live shows apart. The combination of the band's musical wizardry and on-stage chemistry manifests in the form of long, drawn out jams in the middle of concerts.

When was Phish most popular? ›

Phish were part of a movement of improvisational rock groups, inspired by the Grateful Dead and colloquially known as “jam bands”, which gained considerable popularity as touring concert acts in the 1990s.

What was the most people at a Phish concert? ›

Phish performed seven sets of music over the two nights, including a late night set on a flatbed truck that rolled through the parking lot in the wee hours of the morning. 70,000 people attended, making the event Phish's largest concert up to that point and the largest rock concert in the United States in that year.

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